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Tag Archive Ron Rhody

Ron Rhody's Sisters and Mom

Hemingway’s suicide haunt the narrative – San Francisco Book Review

Reviewed by Steven Felicelli

Our Own Little Fictions

According to Ron Rhody’s wife, he is not eligible for authoring a memoir. He hasn’t won an Oscar or an MVP or a Nobel prize. And yet Rhody has a story he wants, needs, to tell. His story. And so that’s how he will tell it to us: as one of Our Own Little Fictions.

Reminiscent of Sarah Polley’s documentary Stories We Tell, Rhody meanders through his memory and down the real roads he’s traveled all over the U.S., from his beloved Frankfort, Kentucky, to California and back (via Florida and Alabama) and then back out to California. Along this circuitous route through his youth, manhood, and ancestry, we encounter all sorts of colorful characters, historical events, family triumphs, and tragedies, which in large part amount to the man whose story we’re being told.

The place closest to Rhody’s heart is clearly Frankfort, Kentucky. It is there his father, a newspaperman, fought for civil rights and to put down roots for his forward-thinking family. Though a wanderlust would uproot the Rhodys and send them all over the U.S., Kentucky kept calling them back to the heart of the heart of their country. In Our Own Little Fictions, Frankfort is origin and refuge, and it serves as the Ithaca of the author’s Odyssey.These chronicles of Rhody contain all the joy and pain of an American life that spans the Cold War to the present.

We meet his parents, grandparents, wife and children, friends and mentors. From animated anecdotes of a hard-nosed football coach doling out life lessons to the memorial for a dear friend and author of “sixteen erudite books,” we witness a life pass in time-lapse frames of laconic, Hemingwayesque prose.

Hemingway and his suicide haunt the narrative beginning to end. On a road trip from California to Kentucky, Rhody and his son make a scheduled detour to Hemingway’s home in Idaho (where he’d put the shotgun in his mouth).
”It seemed wrong that Hemingway had killed himself. Nature should have gotten him. Or chance.”

Later in the narrative and earlier in time, news of Hemingway’s suicide reaches Rhody, and he reflects on the premature tragedy, as well as his own (missed?) calling. These two time periods intermingle, and Rhody leaves Idaho with “an answer to a question I hadn’t known I’d asked.” Authorship was an alternative path he’d bypassed only to embark upon late in life.

Later in the narrative and earlier in time, news of Hemingway’s suicide reaches Rhody, and he reflects on the premature tragedy, as well as his own (missed?) calling. These two time periods intermingle, and Rhody leaves Idaho with “an answer to a question I hadn’t known I’d asked.” Authorship was an alternative path he’d bypassed only to embark upon late in life.

Late in life, indeed. The long road approaches its end and the loss of loved ones is an inevitability. Each story has the same conclusion, alas, and many of the characters we encounter in this Appalachian saga pass on in heartrending deathbed scenes and austere funerals. The depiction of these tragedies is sentimental, even cliched, but anything less/more would not be true to life. It is the commonality of these cliches that arise in endless variations, like updates of Shakespeare.

No, Ron Rhody is no Prince Hamlet, nor was he meant to be, but his story of “becoming,” with its conduplicatio, terse punch-lines, and homespun wisdom, is one that will always be in need of telling and retelling.

The feature photo above from left, Ron Rhody’s sister, Ann, his mother and sister, Mary Lou.

Ron Rhody at the Branding Shed

If we don’t tell each other our stories, how will we know what life is about?

By Ron Rhody
I’ve a new book coming. I’m uneasy with it. I’ve never before written anything this personal knowing it will be public.


But I wanted to get the slice of time this book is about, and the place at its center, and the people who figure in it, on the record in the way only a book can do.

Our Own Little Fictions -Stories from the Road

Our Own Little Fictions So, I have done it. It’s an unconventional book. There is no obvious story line. There is one, but the reader will have to pay attention to uncover it. And the story jumps around in time — the way memories do. Again, the reader will have to pay attention. And the people who figure in it are presented mostly in cameo, but with enough portrayal to allow the reader to imagine them. And I’m asking the reader to pretend they are listening. Not reading. Listening.


Hopefully the writing will make that easy. This is asking a lot of the reader. But the book is novella size and won’t take a lot of time to get through. There is that. Watch for it.


Our Own Little Fictions Available November 1. List Price: $14.99 5.5″ x 8.5″ (13.97 x 21.59 cm) Black & White on White paper 86 pages Outer Banks Publishing Group ISBN-13: 978-1732045217 ISBN-10: 1732045216 BISAC: Biography & Autobiography / General


Read the stunning review by the San Francisco Book Review.

RON RHODY

Ron Rhody is one of our bestselling authors having published 8 books in both non-fiction and fiction. Our Own Little Fictions is his fourth non-fiction book.

Ron Rhody portrait
Author Ron Rhody

Visit his blog to learn more or read one of our posts below.

John Fallis, main character of Concerning the Matter of The King of Craw by Ron Rhody

Meet the baddest of the bad on Nov. 5 in Frankfort, KY

One of Kentucky’s baddest bad men is being resurrected at the Kentucky Book Fair in Frankfort Saturday, November 5 —baddest of the bad if you believed the press of the day, but a hero to the downtrodden if you listened to the poor and the powerless.

John Fallis is his name.  He was the King of Craw—the notorious red-light district in Kentucky’s capital city that flourished during the Roaring Twenties and was famous all the way down to New Orleans for its wild and licentious ways. He was a political power, a gambler, a bootlegger, a legitimate merchant, and a charismatic Lothario who brooked no insult, would not be pushed around, who bent a knee to no man.

Concerning The Matter of The King of CrawThe men who ran the town thought him Lucifer unleashed. The common folk thought him their protector and benefactor. His rise and fall is the stuff of which legends are made. Which the new book Concerning The Matter Of The King Of Craw attempts, for the first time, to draw out and illuminate. Its formal release is set for the opening of the Kentucky Book Fair at Frankfort’s Convention Center, Saturday, November 5. Ron Rhody, a Pinehurst, NC resident, who wrote it, grew up in the Capital City where stories about John Fallis are still being told.

Concerning The Matter Of The King Of Craw is a work of fiction, for no formal biography exits, but it is based on fact and hews as close to the actual record as such a record exists The book begins with the night of the Big Shoot-Out when he takes on the entire city police force and ends with him dead on a craps table in Craw in what the newspapers deemed the aftermath of an argument over a game of dice, but which many believe was a hit ordered by powerful members of the city’s elite.

The Kentucky Book Fair, operated by the Kentucky Humanities Council and the Kentucky Book Fair Board, is one of the biggest in the Southeast. It regularly attracts a crowd of 3,000 or more and this year will host 170 regional and national authors. It is set for the Frankfort Convention Center, hours nine to four-thirty, Saturday, November 5, 2016.

CONCERNING THE MATTER OF THE KING OF CRAW can be ordered from our bookstore for $11.99.

He brooked no insult, would not be cheated, would not be pushed around. He bent a knee to no man. He was the King of Craw and the powers-that-be wanted him gone.

Concerning The Matter of The King of Craw

List Price: $16.99

6″ x 9″ (15.24 x 22.86 cm)
Black & White on Cream paper
288 pages
Outer Banks Publishing Group
ISBN-13: 978-0990679042
ISBN-10: 0990679047
BISAC: Fiction / Historical / General

Kentucky Book Fair logo

Discuss secrets of writing with novelist Ron Rhody

Want to know what it takes to write a novel? Talk with Outer Banks Publishing Group author Ron Rhody, who will be one of 170 prominent authors featured at the Kentucky Book Fair (KBF) on Saturday, Nov. 5 at the Frankfort Convention Center in Frankfort, KY.

Ron has written four novels, including the bestselling THEO trilogy, all taking place in Frankfort, Kentucky, where he grew up and was exposed to local lore, legends and its rich history.

Ron Rhody Women's Club

Author Ron Rhody

The Kentucky Book Fair attracts writers of all genres and patrons of all walks of life in a celebration of shared passion and mutual interest — the importance and promotion of writing and reading.

In its 35th year, the book fair attracts approximately 4.000 patrons from Kentucky and surrounding states. Each author has a booth where they sell signed copies of their books and talk with patrons about their work.

Net proceeds from the KBF fund goes to Kentucky schools and public libraries for local book purchasing and other literacy-related causes.

The KBF makes every attempt to invite writers of all genres, current events, fiction, children’s books, poetry, cookbooks, mysteries and other genres.

In recent years, KFB celebrated the attendance of authors Sue Grafton, Rick Pitino, Christy Jordan, Eleanor Clift, Laurien Berenson, Duffy Brown, Ann Ross, Mark Kurlansky, Mary McDonough, among others.

______________________________

Concerning The Matter of The King of Craw

He brooked no insult, would not be cheated, would not be pushed around. He bent a knee to no man. He was the King of Craw and the powers-that-be wanted him gone.

Concerning The Matter of The King of CrawList Price: $16.99
6″ x 9″ (15.24 x 22.86 cm)
Black & White on Cream paper
288 pages
Outer Banks Publishing Group
ISBN-13: 978-0990679042
ISBN-10: 0990679047
BISAC: Fiction / Historical / General

Now $11.99 – Order here

Kentucky’s Premiere Literary Event is this weekend

The Kentucky Humanities Council presents the
35th Annual Kentucky Book Fair
November 5, 2016
9 a.m. – 4:30 p.m.
Frankfort Convention Center
405 Mero Street, Frankfort, Kentucky
Sixth Annual KBF Kids Day, Friday, November 4th

Each year, more than 170 local and national authors participate in the event, signing their latest books and meeting readers from Kentucky and surrounding states. On average, nearly 4,000 readers flock to downtown Frankfort to meet their favorite writers and learn about new authors.

Since its inception in 1981, the Kentucky Book Fair has been connecting readers and authors in a celebration of shared passion and mutual interest: the importance and promotion of writing and reading.

Kentucky Book Fair logoIn addition to the 35th anniversary of the Kentucky Book Fair, the organizers are celebrating the 6th Annual KBF Kids Day, on Nov. 4, where hundreds of Kentucky students are given the opportunity to interact with authors in a series of engaging presentations.

In addition, Pulitzer Prize winners Maria Henson and Joel Pett will be featured at the fair.

Contact Brooke Raby, Kentucky Book Fair Manager for more information.
brooke.raby@uky.edu or by phone at 859/257-5932.

Featured photo of the book fair courtesy of Hannah Reel/hreel@state-journal.com, the Kentucky State Journal

Ron Rhody at Buffalo Trace

King of Craw launches at Paul Sawyier Public Library

Frankfort native Ron Rhody’s newest novel, Concerning the Matter of the King of Craw launches Thursday, Oct. 27 at the Paul Sawyier Public Library in Frankfort, Kentucky.

Rhody, a resident of Pinehurst, NC, will be on hand to read from and discuss his new historical fiction release, with a book signing to follow.

Set in the Roaring Twenties in Kentucky’s capital city, the story spins around John Fallis, a handsome, charismatic grocer, gPaul Sawyier Public Libraryambler, bootlegger, and political boss, and the two boys who fell into his orbit.

Also featured will be Jim Wallace, well known oral historian of Frankfort’s Crawfish Bottom. Copies of the book will be available for purchase from Poor Richard’s Books.

Rhody was born and raised in Frankfort and attended both Georgetown College and the University of Kentucky. He worked as a reporter, a sportswriter, a broadcast newsman, and covered the Kentucky legislature before moving on to a career as a corporate public relations executive in New York and San Francisco, and later as a consultant to Fortune 500 companies on communications and public relations issues.

He is the author of The Theo Trilogy which includes Theo’s Story, Theo & The Mouthful of Ashes, and When Theo Came Home. Rhody currently resides in Pinehurst, North Carolina with his wife, Patsy.

This free event will take place in the Library Community Room. No registration is necessary. For more information, contact Diane Dehoney at 352-2665 x108 or by email at diane@pspl.org.

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CONCERNING THE MATTER OF THE KING OF CRAW can be pre-ordered from our bookstore for $11.99.

He brooked no insult, would not be cheated, would not be pushed around. He bent a knee to no man. He was the King of Craw and the powers-that-be wanted him gone.

 

Ron Rhody, Concerning The Matter of The King of Craw

 

List Price: $16.99

6″ x 9″ (15.24 x 22.86 cm)
Black & White on Cream paper
288 pages
Outer Banks Publishing Group
ISBN-13: 978-0990679042
ISBN-10: 0990679047
BISAC: Fiction / Historical / General

Another Sneak Peek into Ron Rhody’s new novel

Author Ron Rhody

Novelist Ron Rhody

Outer Banks Publishing Group author Ron Rhody has agreed to serialize a few chapters of his newest novel, Concerning The Matter of The King of Craw,  giving readers a sneak peak into his book based the real life of John Fallis, a legendary figure, who was like a Robin Hood in Frankfort, Kentucky during the Roaring Twenties.

Each week, we will present a new chapter here or you can read it on Ron’s blog. Here is the second chapter Ron released.

Sketch by Karen Piedmont of the “Craw” section of Frankfort, KY in the early twenties.

CONCERNING THE MATTER OF THE KING OF CRAW will be released Nov. 5, 2016 at the Kentucky Book Fair, Frankfort, KY. You can pre-order a copy from our bookstore at the publisher’s pre-release price of $11.99.

By Ron Rhody

CHAPTER FOUR: RISE PEON

Monday came.

Collection day.

The day Tubby and his merry men would be expecting to collect their tribute, the day that would mark the start of my second full week of school in this town still strange to me, the day that would set the way my peers would think of me.

I knew they knew of Tubby’s shakedowns. They must have talked of it. The word must have gotten around. Not that they were likely to ostracize the timid and the weak among them. They’d just have no respect for them.

I understood that. If you don’t respect yourself, no one else will. To prove that you do, you can’t let others push you around.

While I was a boy, the only instruction I ever had in fighting came the afternoon Andy Charbonneau got beat up.

Jigger Swinson beat hell out of him. Jigger was the biggest and meanest boy in class.

We were playing marbles after school behind the swings. Jigger said Andy cheated. He grabbed Andy’s taw and wouldn’t give it back. Andy called him a liar.

“Don’t call me a liar you little bastard.” He took Andy apart.

When Andy couldn’t stand up any longer, Jigger kicked him in the side and walked away with Andy’s taw.

Jimmy D. and Winston and me helped him home. Andy’s dad, the guide, the elk hunter, was there. “What happened, boys” he said as he washed the blood from Andy’s face.

Mr. Charbonneau, Baptiste Charbonneau, was a cheerful man with an easy way and the build of a bear. His face was wind-burned and sunburned and his eyes crinkled at the sides when he smiled. No smiles now.

When we finished, Mr. Charbonneau said, “Did anybody help this Jigger Swinson beat on Andrew?”

“No, sir.”

He waited a moment or two, considering, then said, “I’m not for fighting, boys. But some things you can’t let pass.”Concerning The Matter of The King of Craw

He looked around to each of us. “I want all you boys to pay attention to this.”

Another long pause, waiting to be sure we were listening.

“I don’t expect you to fight unless you have to. But from time to time you’ll have to. Life works that way.” He seemed saddened by that, but continued.

“If there’s going to be a fight, don’t stand around jawing. Don’t waste time pushing or shoving. Knock the sonofabitch down and stomp on him. Hit him as hard as you can! Go for the stomach. Knock his wind out. When he bends over to try to get a breath, hit him behind the head with both your hands locked together. When he falls, stomp on his hands so he won’t be able to hit again for a long time. Don’t give him any quarter. Don’t give him time to collect himself.”

Mr. Charbonneau was a respected man. He had to master the mountains. Sometimes had to master the egos of the swells who could afford his skills but who drank too much or wanted to take a calf for the meat when it was bulls only season and he wouldn’t permit it.

We listened.

“Beat him so bad he’ll never want to fight you again,” he said. “Blow through him like a Maria and then stand over him and tell him if he ever sees you coming he damn well better get out of the way.”

We were gathered in his kitchen when he told us this. Andy was sitting on a stool by the sink with the bloodstained washcloth floating in the basin and we were ringed around him. Mr. Charbonneau was standing behind Andy with his hand on Andy’s shoulder.

“Understand, boys? Understand what I’m telling you? Don’t get caught up in ideas about fair fights. There are no fair fights. You hit first! Hit with as much force as you’ve got. Drop him down and stomp on him before he knows what’s happening. Make him never dare mess with you again.”

He ran his gaze over each of us, satisfying himself that we understood.

“Now, Andrew,” he said, moving around to stand in front of Andy. “I want you to go find this boy Jigger Swinson. I want you to give him that message. And I want you to get your taw back.”

He walked to the corner by the fireplace where he kept a staff that he used when he was scouting in the mountains, a long wooden staff of fire-hardened oak that had been shaved into round and varnished slick. He hefted it, swung it, slapped it against his open palm a couple of times, walked to the window and looked out. The afternoon was fading but there was still an hour or two to sunset. He walked back across the room to stand in front of Andy.

“This boy’s bigger than you. Take this to even that up. When you find him, don’t say anything.”

Mr. Carbonneau raised the staff above his head and swung it down in a sweeping arc.

“Smash him! Hit down, like you’re chopping a log. Hold the staff in both hands. Hit hard. Aim for a spot between the shoulder blade and the neck. Then switch your hold and swing like you’re hitting a baseball and hit him across the upper arm.”

He drew back, pivoted and stepped into the swing as if he expected to drive it out of the park.

“Then swing it down and bark his shins. Then stab it into his gut. When he falls, stand over him and jam the stick into his neck where the Adam’s Apple is. Not too hard. You’ll kill him if you press too hard.”

Mr. Charbonneau stood there, legs apart with the staff’s point shoved into the floor at his feet and him leaning into it, steel in his tone.

“Tell him give me back my taw. Tell him don’t you dare come at me again.”

He handed the staff to Andy. “Go now.”

And turned to us. We were breathless at what we’d seen, shocked at what we’d heard. “You boys go with him,” he said. “See that no one interferes.”

No one did.

Andy got his taw back.

Jigger Swinson didn’t mess with any of us again.

I remembered.

Tubby and his three merry men circled me when class let out for morning recess.

“Pretty boy, pretty boy, we’re waiting for you. It’s Monday morning and tribute is due.”

They were standing by the outside water fountain. You had to pass it on the way to the playground. Tubby made his little sing-song chant loud enough to be heard by those who were passing. Most of the class knew what to expect. They didn’t stop as they passed but began to gather in little groups just far enough away to be close enough to watch.

The morning was chilly. Tubby had on knickers again and a neatly knotted tie and a button- up sweater, with hair slicked back and an arrogant smile. He stood hands on hips, looking big and threatening. The three merry men grinned at each other.

He held out his right hand, palm up, smirking. I smiled right back and drove my fist into his gut with all the force I had. Tubby’s eyes widened. He folded over, gasping, and I hit him behind the neck with my interlocked hands. He splayed out flat, almost bouncing off the concrete pavement at the base of the fountain. I let him lay gasping for a minute, then rolled him over and knelt down with my knee in his chest. I grabbed his tie and forced his gagging face up to look me in the eyes. The surprise on his face was deeper than the pain.

“Wha….” he tried say but he was fighting too hard to breathe.

I tightened my grip on his tie. “Tubby, the peons have risen,” I said.

I dropped him down then and rose to deal with the merry men. But there was no need. Lucas was standing behind me, protecting my back.

Across the schoolyard kids were running in to get closer.

Tubby was still on his back gasping for breath. The merry men seemed dazed. Lucas nodded his head toward Tubby and said to them, “Your little shakedown is over, boys. I wouldn’t try it again or pretty boy might get mad. Now pick your friend up, clean him up, and get out of here.”

Then he turned to me laughing and shaking his head said, “Where’d you learn that!”

(more to come)

Author Ron Rhody

Novelist Ron Rhody gives sneak peek of his newest novel

Outer Banks Publishing Group author Ron Rhody has agreed to serialize a few chapters of his newest novel giving readers a sneak peak into his book based the real life of John Fallis, a legendary figure, who was like a Robin Hood in Frankfort, Kentucky during the Roaring Twenties.

Each week, we will present a new chapter here or you can read it on Ron’s blog.

CONCERNING THE MATTER OF THE KING OF CRAW will be released Nov. 5, 2016 at the Kentucky Book Fair, Frankfort, KY or you can pre-order a copy from our bookstore for $11.99.

By Ron Rhody

I’m not sure how to characterize it. It is a work of fiction, yes —  but it is based on real people and real events. A mystery? Yes, but not of the usual kind. This one has to do with a man of glaring contradictions —  a mercurial man of lethal temper and tender compassion  whose acts cause him to  becomes an iconic figure in Bluegrass folklore.

No one who knew him, not even he himself, could explain why he did the things he did.  He was either Lucifer let loose or Galahad  to the rescue of the poor and the powerless. The debate on whether the sum of his actions was good or evil was intense then and remains so now. And the matter of his death is still suspect.  Was it a fight over a game of dice  as the newspapers reported, or a killing ordered by powerful men who had had enough of the King of Craw?

The book is about all that, and friendship, and the odd turns love can take. Considering this, I thought it might be  good  to give prospective readers an idea of what the story is and how it unfolds. So over the next few weeks we’ll run a  few of the opening chapters here. The one that follows is the Prologue – the “overture” before the curtain rises. Comments and questions are welcomed.

“The essence of good and evil is a certain disposition of the mind.”

Epictetus

PROLOGUE

I have been able to reconstruct most of the facts of his life, but I still cannot explain the man.

The sudden explosions of violence.

Like the cutting of Semonis.

The surprising acts of compassion

Like the burial of the mountain child.

What drove him?

He and Semonis were friends. At a dance. A woman. A remark by Semonis that John Fallis thought insulting? The knife was out and in Semonis’ side before anyone could move.Some spark, some circuit in his mind connected and he reacted violently and without thinking.

That happened often.

Ted Bates.Not serious. The bullet missed the bone and the leg healed. Tubba Dixon had a pool cue broken over his head and would have had the jagged stump shoved down his throat if he hadn’t been pulled out of Fallis’s reach.

There were other shooting and cuttings.

Anger? Surely.Self defense?  Perhaps.

For the Semonis knifing, he was arrested, charged with cutting and wounding with intent to kill without killing, and jailed. But nothing came of it.

From his bed, Semonis petitioned the Judge to set John Fallis free. John is my good friend, he declared. It was a simple misunderstanding, as much my fault as John’s.  Please let him go.

The battered and the wounded often petitioned the court to let him go.

Because of acts like the burial of the mountain child?

A stranger, a man from the mountains, had come to town to find work and feed his family. No work could be found. While the man searched, his baby son caught the river fever and died.

The man knew no one. Had no friends or family to call on.  No job. No money. No way to bury his baby son, his only son. For a man like him, a man from the prideful culture he came from, the shame of it was damning, the despair of the loss of his son crippling.Then someone told him about a man who might help.

No need to belabor the story.

The stranger came to the grocery. Stood before the counter. Humble. Humiliated. Told his story. Promised somehow, someday, if only Mr. Fallis could see his way clear to lend him enough money to bury his son, he’d pay it all back, swear to God.

John Fallis listened quietly. Took the measure of the man. Didn’t lend him the money. Gave it to him. More than was needed.  And stood with the man and his wife at the burial so that they didn’t have to endure it alone.

Like the spark that set off the violence, there was a spark that triggered compassion.

I doubt he was aware of either.

Whatever the case, to most of those in that section near the river where the poor lived, that section where the bad-ass bars and the honkey-tonks and the cat-houses huddled, to most of the people in that part of town where John Fallis had his grocery, and to many others all over town that were poor and powerless, he was revered. He stood up for them.

To the proper folk of the city, though, he was Lucifer unleashed. He was a lawless, thuggish, un-intimidated insult to decency and the Powers-That-Be. They wanted him gone.

John Fallis was ten when he began to carry a knife.

The older boys, the bigger boys, picked on him. He fought back. They thought it was funny. Until he got the knife.

When he became a man, no one thought it would be funny to pick on John Fallis. He brooked no insult, would not be cheated, would not be pushed around. He bent a knee to no man.

He was the King of Craw and Lucas Deane was his acolyte.

I came to know Mister Fallis through Lucas. That’s how I thought of him—as Mister Fallis.

He was strikingly handsome. He had a charm that was almost magnetic. When he chose to use it, which was not always, he won friends easily and women became willing prey. Being around him was like being swept up in a vortex of energy where something exciting, something dangerous, something unexpected could happen, would probably happen, at any second. I fell gladly into his orbit. I was only a boy then. We were in the seventh grade, Lucas Deane and I, when we met. I was transferring in from a distant school. Lucas was already there. That year was nineteen-twenty. The Great War was over. The country was opening the door to the Roaring Twenties.  The Big Shoot-Out was a year in the future.

The Big Shoot-Out. The day John Fallis took on the entire city police force. You’ve heard of it. Everyone’s heard of it. Even the New York Times was appalled. But John Fallis was special to Lucas Deane long before that. Lucas and his mother would have starved but for John Fallis.

Lucas’s mother was ill and couldn’t work. They were penniless.  No money for food, no money for rent. Lucas was only seven at the time.  John Fallis heard of it. He found Lucas and gave him a job … things he could do, sweep up at the grocery after school, stock the shelves … and paid him enough that they could get by.

Later, Mr. Fallis kept Lucas on. He liked the boy. Lucas’s gratitude was endless, his admiration boundless. I could understand that. I came to admire John Fallis, too. But not to the point of blind devotion.

Lord, save us from our heroes.

John Fallis, main character of Concerning the Matter of The King of Craw by Ron Rhody

All I’m trying to do is tell a story…We live by stories

Author Ron Rhody

Author Ron Rhody

Outer Banks Publishing Group author Ron Rhody tells what it takes to write a novel based on the real life of person in this interview. He talks about his newest book, Concerning The Matter Of The King of Craw, to be released at the Kentucky Book Fair on November 5 in Frankfort, KY and how he “wrote it” rather than reporting the story.

What brought you to write about John Fallis and his life and times?

I had just wrapped up When Theo Came Home (the last, maybe, in the Theo trilogy) and was searching for a subject for the next book. I had two ideas. One was for a story about what happens when the meek inherit the earth – you know, the promise in the Beatitudes, Mathew 5.5, “Blessed are the meek for they shall inherit the earth” – what would happen, I wondered, if that happened?

The end of times… everyone gone … to heaven or hell … only the meek left. What would happen? Fascinating idea to play with.

The other idea was to try to build a story around John Fallis, the King of Craw. Fallis was a real character, a fascinating character, a dominating figure in Kentucky’s capital city during the Roaring Twenties, controversial at the time, legendary now.

I grew up in that town.  I remember hearing stories about about him as a boy – most of them bad. He was a legitimate businessman on the one hand, but on the other a  gambler, a brawler, the biggest bootlegger in the whole area with a violent temper and a reputation for mayhem.

He was also handsome and charismatic and loved by the common folk because he helped them and stood up for them against the Establishment. The powers that be didn’t like that. There is speculation even today that powerful forces in the city sent a hit man to do him in.  I thought I’d try to find out about him and build a story around him. The meek could wait.

Fallis is a real person. How did you get the information you needed to craft an informed story?

The way a reporter goes about it. Search the record, talk to people.  Son Bixie Fallis’ “biography” of his father at the Capital City Museum was a start and an enormous help.  Bixie’s story is that of a loving son writing about a hero father, so it has to be taken with a certain restraint, but it is first hand and intimate.

No one is alive today who knew Fallis directly but, thankfully, there is Jim Wallace’s collection of interviews with people who lived in the Bottom and Craw and who did know Fallis. They’re in his This Sodom Land treatise done for the University of Kentucky. It is enormously rich. And there is Doug Boyd’s work in his book Crawfish Bottom. It has a whole section on Fallis.

Those two pieces, and the local area newspapers, were my principal sources. And there are, of course, people who didn’t know Fallis but have relatives who did and who remember the stories they were told. I managed to find and talk with several of them.

After that, it was a matter of imagining what might have happened or could have happened as I worked with the information the limited sources provided. I’ve tried to stay true to facts I could uncover and make sure the inferences I’ve drawn from them are fair.

Concerning The Matter Of The King Of Craw is my fourth novel.  I think it is the best. I’ve learned a lot listening to Theo. The first three books are about him and make up the Theo trilogy. They did not start out to be trilogy. But one story led to another and then became three.

Like Concerning The Matter, they are set in Frankfort, which is Kentucky’s capital city – a jewel of a place, a river town in a Bluegrass Valley that has a character and a feel to it that works on me like magic.

All I’m trying to do is tell a story that makes the reader want to know what happens next and feel satisfied when one gets to the end. A story. A good story. That’s all. We live by stories.

The Theo books are about a young man who starts out as rookie reporter assigned to cover a bizarre murder which he leads him to a career in big time newspapering in New York City and other world capitals and ultimately back to that little town on the river trying to decide whether to run for Governor.

Along the way there are two other murders. He’s implicated in one of them. There is political intrigue and malfeasance, graft, blackmail, Melungeons, and, of course, a girl, Allie, who becomes a woman and who is in and out of his life through it all. I don’t know whether Theo runs and gets elected or not.

At present, I’m not interested in finding out, but I may want to.

The first three books I “reported.” I grew up newspapering, That’s the way you tell the story – who, what, when, where, why – and, if you can figure it out, how. I think they’re good books. They move fast and the stories are compelling.

I didn’t “report” Concerning The Matter Of The King of Craw.  I wrote it. There’s a difference. The who, what, when, where, why, and how are there. But there’s more. I think I’m getting the hang of it.

When you start a novel, who are you writing for?

I’ve given that a lot thought. The straight of it is that I’m writing for myself. I’m telling myself the story. If I can hold my interest, keep the story moving, touch a cord of emotion, be intrigued by things I didn’t know, discover something of value in the motives and actions of my characters, I’m happy.

All I’m trying to do is tell a story that makes the reader want to know what happens next and feel satisfied when one gets to the end. A story. A good story. That’s all. We live by stories.

Is there another book on the horizon?

I imagine. For a long time I’ve wanted to try a memoir of a sort. Not a real memoir. A string of stories or vignettes that tell of some of the things – people, places, events – that have mattered and may hold some interest for others. I’m not sure I have the courage to do that. There is the remembering of course. Pain came along with the good times. Not sure I want to revisit all that.

And there is the matter of ego. I’ve never been accused of being overly modest, but there seems something so egotistical about presuming to do a memoir that I’m not sure I’d be comfortable with trying one.

Otherwise, there’s Theo. Might be interesting to see if he could get elected and find out what challenges he would face as Governor of the Grand & Glorious Commonwealth of Kentucky and how he’d handle them.

And, of course, there’s the meek. I’ve often thought that given the prospect of an uncertain Heaven, or the beauty and bounty of Mother Earth, I’d opt for her.

We’ll see.

______________________________

Concerning The Matter of The King of Craw

He brooked no insult, would not be cheated, would not be pushed around. He bent a knee to no man. He was the King of Craw and the powers-that-be wanted him gone.

Concerning The Matter of The King of CrawList Price: $16.99
6″ x 9″ (15.24 x 22.86 cm)
Black & White on Cream paper
288 pages
Outer Banks Publishing Group
ISBN-13: 978-0990679042
ISBN-10: 0990679047
BISAC: Fiction / Historical / General

Now $11.99 – Pre-order here

 

Ron Rhody at Buffalo Trace

New Novel dramatizes life of Kentucky’s legendary John Fallis

Front cover final choiceKentucky Native Son Ron Rhody’s exciting new book, Concerning the Matter of The King of Craw, will debut at the Kentucky Book Show November 2016

Pre-order your copy at the special publisher’s discount, $11.99. Click here to pre-order.

Ron Rhody's King of Craw Pre-order

Click here to pre-order your copy.

Based on true events!

The essence of good and evil is a certain disposition of the mind.”

                                                                                                       Epictetus

“To those in that section near the river where the poor lived, that section where the bad-ass bars and the honkey-tonks and the cat-houses huddled, to the people in that part of town they called the Bottom, and to many others all over town that were poor and powerless, he was revered. He stood up for them.

To the proper folk of the city, though, he was Lucifer unleashed. He was the King of Craw and they wanted him gone.”

Set in the Roaring Twenties in Kentucky’s Capital City, the story spins around John Fallis, a legendary figure in Bluegrass folklore, and two boys who fall into his orbit.

A successful businessman, a gambler, a bootlegger, movie-star handsome, charismatically compelling, and deferential to no one, he was the champion of the common man and the scourge of the Powers That Be.

He was the King of Craw.

The story begins just before the night of the Big Shoot-Out when he takes on the entire city police force and sets his fabled reputation in stone. But the way he died remains a mystery to this day. Did the powerful forces in the city have him killed or was it the gambling fight it was purported to be?

Though this is a story and not a history, most of it happened. John Fallis, Craw, Crawfish Bottom are names that still resonate and questions about his early end are still unanswered.

This is the first piece of fiction built around the man and the place, full of action and drama, most particularly for readers drawn to mystery and the on-going battle between good and evil.

Whatever you ultimately decide about JF’s place on the scale of good and bad or the particulars of his death, you won’t be bored.

The Publisher

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