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Author Alice Joyner Irby in Macchu Pichu

South Toward Home tells the story of life in the 20th Century – the American Century

Publisher’s Note

When I first met Alice Joyner Irby, I knew she had an extraordinary story to tell about her life, her family and people who crossed her path.

As she finished each chapter over a little less than year, I knew her extraordinary book was being created. And now it is here to be released in April as South Toward Home.

In this interview with Alice she tells what her book is about, why she wrote it and the importance of life as she journeyed through the early 20th century and the beginnings of the 21st.

Pictured in the photo, Alice, James, Andrea’s son, and Andrea, Alice’s daughter, in Sacred Valley, Macchu Pichu

 

OBXPG: What is the book about?

ALICE: There is a familiar saying, “May you live in interesting times,” offered by a British diplomat in 1936—just a few years after my birth.  I have lived in interesting times—spanning more than seven decades of the 20th century and, now, two decades of the 21st.

During those years, I have witnessed and experienced times of economic depression, hot and cold wars, societal upheaval and assassinations, expanding civil rights and broadening opportunities, measles outbreaks and a polio epidemic, and extraordinary technological and medical breakthroughs.

My stories capture events and happenings in my life during these times of disturbance, crisis, tumult, accomplishment, and joy.  They reveal ways in which I seized opportunities as doors opened and cleared fences that were in my path.  They bring to life the people in my family, my circle of friends, and the mentors who guided me along the way.

Cover of South Toward HomeOBXPG: Why did you write this?  What made you decide to do it?

ALICE: I have always believed that personal stories make history real, and, like most Southerners, I like stories.  I was inspired to put pen to paper to encourage my daughter, grandson, nieces, nephews and their progeny to learn something about their ancestors and how they handled the stresses, disappointments, and celebrations in their lives.

I became aware of how important human connections are in shaping and enriching one’s life.  It seemed to me that readers in the future—not just my family—might benefit from learning about the influential roles that individuals play in the lives of others.  And, I very much wanted to pay tribute to the men and women who guided and sustained me.

OBXPG: Is there anything else you want to say?

ALICE: Yes.

First, I want to say thanks to those heroes, both living and dead, who made my life rich and full.

Second, I want others to get to know the characters in my stories, for they are among the good-hearted, strong, independent people who helped make the 20th century the American century.

Finally, I want to celebrate life.  This book is not a story of one life—but a story of life itself, the value of friendships, and the enduring qualities of love, kindness, and hope.

 

 

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The Woman Who Never Cooked by Mary L. Tabor

The Woman Who Never Cooked absorbs one totally – a new review

by Michael Johnson

Publishers Note: Michael Johnson, who lives in France, is the author of five books and worked as a reporter and editor in New York, Moscow, Paris and London. See his full biography below.

Mary L. Tabor, literary author

Mary L. Tabor

Here are highlights from his review:

Any reader with an analytical bent will wonder, however, where the truth is located in a good story. I certainly did, reading Mary L. Tabor’s new collection of twelve short stories, The Woman Who Never Cooked (Outer Banks Publishing Group). She displays rare knowledge of human behavior in this assemblage of stories covering illness, deaths in the family, adultery, intimacy, dishonesty, dreams, love, family ties, and some surprisingly interesting details about food and how to cook it.

These stories display Ms. Tabor’s polished prose page after page. She has a sure touch for subtle humor as well as for rhythm, repetition, metaphor and simile. In one story she alludes to a man’s admiration of his current obsession, as her “thin, wispy shape like one of Monet’s poplars”. Or as he looked into her eyes, he saw “blue with flecks of white and yellow, reminding him of a Key West at sunset, sapphire blue and sun-struck clouds”

Read the rest of the review>

 

Mr. Johnson covered European technology for Business Week for five years, and served nine years as chief editor of International Management magazine and was chief editor of the French technology weekly 01 Informatique. He also spent four years as Moscow correspondent of The Associated Press. He is the author of five books.

Michael Johnson is based in Bordeaux. Besides English and French he is also fluent in Russian.

You can order Michael Johnson’s most recent book, a bilingual book, French and English, with drawings by Johnson:

“Portraitures and caricatures:  Conductors, Pianist, Composers”

Order your copy 

 

FREE Writing Course

Check out Mary’s FREE eight-session writing course…available from Outer Banks Publishing Group.

 

 

Summer Beach-reading - 2-book sale

Buy Angel’s Truth and get The Mansfield Killings FREE!

Get our two bestselling crime novels for the price of one!
ANGEL’S TRUTH & THE MANSFIELD KILLINGS

BUY BOTH for $12.99

List Price: $15.99
5.5″ x 8.5″ (13.97 x 21.59 cm)
Black & White on White paper
268 pages
Outer Banks Publishing Group
ISBN-13: 978-0990679080
ISBN-10: 099067908X
BISAC: Fiction / Crime

Angel Gonzales is charged with heinous crimes that law enforcement, the media, and most folks in Richmond, Texas, and surrounding communities are certain he committed.

The crimes and trial dwarf anything that has happened in that part of the Lone Star state in anyone’s memory.
When, against all odds, the jury renders “not guilty” verdicts, shock escalates to anger.

In the minds of many, justice has failed, and a brutal criminal is being set free. For Angel and his court-appointed public defender, Marty Booker, being judged “not guilty” isn’t enough.

Together and with help from an unanticipated source, they attempt to prove Angel’s innocence.

In the process, they butt up against prejudice, deceit, and a sheriff and district attorney who put politics, ambition, expedience, and arrogance above responsibility to do their jobs.

It’s a story of horror, hatred, belief, and persistence – a story of a Mexican-American teenager who nearly loses his life on the way to becoming a man.

 

BASED ON TRUE EVENTS
SOON TO BE A MAJOR MOTION PICTURE in 2019

Price: $14.99
5.5″ x 8.5″ (13.97 x 21.59 cm)
Black & White on Cream paper
280 pages
ISBN 10 – 0982993137
ISBN 13 – 978-0-9829931-3-2
Binding Type: US Trade Paper
Language: English

On the night of July 21, 1948, Robert Daniels and John West entered John and Nolena Niebel’s house with loaded guns. They forced the family including the Niebel’s 21-year-old daughter, Phyllis, into their car and drove them to a cornfield just off Fleming Falls Road in Mansfield. The two men instructed the Niebels to remove all of their clothing, and then Robert Daniels shot each of them in the head.

What followed was the worst two-week killing spree in the history of Ohio.

 

Another Sneak Peek into Ron Rhody’s new novel

Author Ron Rhody

Novelist Ron Rhody

Outer Banks Publishing Group author Ron Rhody has agreed to serialize a few chapters of his newest novel, Concerning The Matter of The King of Craw,  giving readers a sneak peak into his book based the real life of John Fallis, a legendary figure, who was like a Robin Hood in Frankfort, Kentucky during the Roaring Twenties.

Each week, we will present a new chapter here or you can read it on Ron’s blog. Here is the second chapter Ron released.

Sketch by Karen Piedmont of the “Craw” section of Frankfort, KY in the early twenties.

CONCERNING THE MATTER OF THE KING OF CRAW will be released Nov. 5, 2016 at the Kentucky Book Fair, Frankfort, KY. You can pre-order a copy from our bookstore at the publisher’s pre-release price of $11.99.

By Ron Rhody

CHAPTER FOUR: RISE PEON

Monday came.

Collection day.

The day Tubby and his merry men would be expecting to collect their tribute, the day that would mark the start of my second full week of school in this town still strange to me, the day that would set the way my peers would think of me.

I knew they knew of Tubby’s shakedowns. They must have talked of it. The word must have gotten around. Not that they were likely to ostracize the timid and the weak among them. They’d just have no respect for them.

I understood that. If you don’t respect yourself, no one else will. To prove that you do, you can’t let others push you around.

While I was a boy, the only instruction I ever had in fighting came the afternoon Andy Charbonneau got beat up.

Jigger Swinson beat hell out of him. Jigger was the biggest and meanest boy in class.

We were playing marbles after school behind the swings. Jigger said Andy cheated. He grabbed Andy’s taw and wouldn’t give it back. Andy called him a liar.

“Don’t call me a liar you little bastard.” He took Andy apart.

When Andy couldn’t stand up any longer, Jigger kicked him in the side and walked away with Andy’s taw.

Jimmy D. and Winston and me helped him home. Andy’s dad, the guide, the elk hunter, was there. “What happened, boys” he said as he washed the blood from Andy’s face.

Mr. Charbonneau, Baptiste Charbonneau, was a cheerful man with an easy way and the build of a bear. His face was wind-burned and sunburned and his eyes crinkled at the sides when he smiled. No smiles now.

When we finished, Mr. Charbonneau said, “Did anybody help this Jigger Swinson beat on Andrew?”

“No, sir.”

He waited a moment or two, considering, then said, “I’m not for fighting, boys. But some things you can’t let pass.”Concerning The Matter of The King of Craw

He looked around to each of us. “I want all you boys to pay attention to this.”

Another long pause, waiting to be sure we were listening.

“I don’t expect you to fight unless you have to. But from time to time you’ll have to. Life works that way.” He seemed saddened by that, but continued.

“If there’s going to be a fight, don’t stand around jawing. Don’t waste time pushing or shoving. Knock the sonofabitch down and stomp on him. Hit him as hard as you can! Go for the stomach. Knock his wind out. When he bends over to try to get a breath, hit him behind the head with both your hands locked together. When he falls, stomp on his hands so he won’t be able to hit again for a long time. Don’t give him any quarter. Don’t give him time to collect himself.”

Mr. Charbonneau was a respected man. He had to master the mountains. Sometimes had to master the egos of the swells who could afford his skills but who drank too much or wanted to take a calf for the meat when it was bulls only season and he wouldn’t permit it.

We listened.

“Beat him so bad he’ll never want to fight you again,” he said. “Blow through him like a Maria and then stand over him and tell him if he ever sees you coming he damn well better get out of the way.”

We were gathered in his kitchen when he told us this. Andy was sitting on a stool by the sink with the bloodstained washcloth floating in the basin and we were ringed around him. Mr. Charbonneau was standing behind Andy with his hand on Andy’s shoulder.

“Understand, boys? Understand what I’m telling you? Don’t get caught up in ideas about fair fights. There are no fair fights. You hit first! Hit with as much force as you’ve got. Drop him down and stomp on him before he knows what’s happening. Make him never dare mess with you again.”

He ran his gaze over each of us, satisfying himself that we understood.

“Now, Andrew,” he said, moving around to stand in front of Andy. “I want you to go find this boy Jigger Swinson. I want you to give him that message. And I want you to get your taw back.”

He walked to the corner by the fireplace where he kept a staff that he used when he was scouting in the mountains, a long wooden staff of fire-hardened oak that had been shaved into round and varnished slick. He hefted it, swung it, slapped it against his open palm a couple of times, walked to the window and looked out. The afternoon was fading but there was still an hour or two to sunset. He walked back across the room to stand in front of Andy.

“This boy’s bigger than you. Take this to even that up. When you find him, don’t say anything.”

Mr. Carbonneau raised the staff above his head and swung it down in a sweeping arc.

“Smash him! Hit down, like you’re chopping a log. Hold the staff in both hands. Hit hard. Aim for a spot between the shoulder blade and the neck. Then switch your hold and swing like you’re hitting a baseball and hit him across the upper arm.”

He drew back, pivoted and stepped into the swing as if he expected to drive it out of the park.

“Then swing it down and bark his shins. Then stab it into his gut. When he falls, stand over him and jam the stick into his neck where the Adam’s Apple is. Not too hard. You’ll kill him if you press too hard.”

Mr. Charbonneau stood there, legs apart with the staff’s point shoved into the floor at his feet and him leaning into it, steel in his tone.

“Tell him give me back my taw. Tell him don’t you dare come at me again.”

He handed the staff to Andy. “Go now.”

And turned to us. We were breathless at what we’d seen, shocked at what we’d heard. “You boys go with him,” he said. “See that no one interferes.”

No one did.

Andy got his taw back.

Jigger Swinson didn’t mess with any of us again.

I remembered.

Tubby and his three merry men circled me when class let out for morning recess.

“Pretty boy, pretty boy, we’re waiting for you. It’s Monday morning and tribute is due.”

They were standing by the outside water fountain. You had to pass it on the way to the playground. Tubby made his little sing-song chant loud enough to be heard by those who were passing. Most of the class knew what to expect. They didn’t stop as they passed but began to gather in little groups just far enough away to be close enough to watch.

The morning was chilly. Tubby had on knickers again and a neatly knotted tie and a button- up sweater, with hair slicked back and an arrogant smile. He stood hands on hips, looking big and threatening. The three merry men grinned at each other.

He held out his right hand, palm up, smirking. I smiled right back and drove my fist into his gut with all the force I had. Tubby’s eyes widened. He folded over, gasping, and I hit him behind the neck with my interlocked hands. He splayed out flat, almost bouncing off the concrete pavement at the base of the fountain. I let him lay gasping for a minute, then rolled him over and knelt down with my knee in his chest. I grabbed his tie and forced his gagging face up to look me in the eyes. The surprise on his face was deeper than the pain.

“Wha….” he tried say but he was fighting too hard to breathe.

I tightened my grip on his tie. “Tubby, the peons have risen,” I said.

I dropped him down then and rose to deal with the merry men. But there was no need. Lucas was standing behind me, protecting my back.

Across the schoolyard kids were running in to get closer.

Tubby was still on his back gasping for breath. The merry men seemed dazed. Lucas nodded his head toward Tubby and said to them, “Your little shakedown is over, boys. I wouldn’t try it again or pretty boy might get mad. Now pick your friend up, clean him up, and get out of here.”

Then he turned to me laughing and shaking his head said, “Where’d you learn that!”

(more to come)

Author Ron Rhody

Novelist Ron Rhody gives sneak peek of his newest novel

Outer Banks Publishing Group author Ron Rhody has agreed to serialize a few chapters of his newest novel giving readers a sneak peak into his book based the real life of John Fallis, a legendary figure, who was like a Robin Hood in Frankfort, Kentucky during the Roaring Twenties.

Each week, we will present a new chapter here or you can read it on Ron’s blog.

CONCERNING THE MATTER OF THE KING OF CRAW will be released Nov. 5, 2016 at the Kentucky Book Fair, Frankfort, KY or you can pre-order a copy from our bookstore for $11.99.

By Ron Rhody

I’m not sure how to characterize it. It is a work of fiction, yes —  but it is based on real people and real events. A mystery? Yes, but not of the usual kind. This one has to do with a man of glaring contradictions —  a mercurial man of lethal temper and tender compassion  whose acts cause him to  becomes an iconic figure in Bluegrass folklore.

No one who knew him, not even he himself, could explain why he did the things he did.  He was either Lucifer let loose or Galahad  to the rescue of the poor and the powerless. The debate on whether the sum of his actions was good or evil was intense then and remains so now. And the matter of his death is still suspect.  Was it a fight over a game of dice  as the newspapers reported, or a killing ordered by powerful men who had had enough of the King of Craw?

The book is about all that, and friendship, and the odd turns love can take. Considering this, I thought it might be  good  to give prospective readers an idea of what the story is and how it unfolds. So over the next few weeks we’ll run a  few of the opening chapters here. The one that follows is the Prologue – the “overture” before the curtain rises. Comments and questions are welcomed.

“The essence of good and evil is a certain disposition of the mind.”

Epictetus

PROLOGUE

I have been able to reconstruct most of the facts of his life, but I still cannot explain the man.

The sudden explosions of violence.

Like the cutting of Semonis.

The surprising acts of compassion

Like the burial of the mountain child.

What drove him?

He and Semonis were friends. At a dance. A woman. A remark by Semonis that John Fallis thought insulting? The knife was out and in Semonis’ side before anyone could move.Some spark, some circuit in his mind connected and he reacted violently and without thinking.

That happened often.

Ted Bates.Not serious. The bullet missed the bone and the leg healed. Tubba Dixon had a pool cue broken over his head and would have had the jagged stump shoved down his throat if he hadn’t been pulled out of Fallis’s reach.

There were other shooting and cuttings.

Anger? Surely.Self defense?  Perhaps.

For the Semonis knifing, he was arrested, charged with cutting and wounding with intent to kill without killing, and jailed. But nothing came of it.

From his bed, Semonis petitioned the Judge to set John Fallis free. John is my good friend, he declared. It was a simple misunderstanding, as much my fault as John’s.  Please let him go.

The battered and the wounded often petitioned the court to let him go.

Because of acts like the burial of the mountain child?

A stranger, a man from the mountains, had come to town to find work and feed his family. No work could be found. While the man searched, his baby son caught the river fever and died.

The man knew no one. Had no friends or family to call on.  No job. No money. No way to bury his baby son, his only son. For a man like him, a man from the prideful culture he came from, the shame of it was damning, the despair of the loss of his son crippling.Then someone told him about a man who might help.

No need to belabor the story.

The stranger came to the grocery. Stood before the counter. Humble. Humiliated. Told his story. Promised somehow, someday, if only Mr. Fallis could see his way clear to lend him enough money to bury his son, he’d pay it all back, swear to God.

John Fallis listened quietly. Took the measure of the man. Didn’t lend him the money. Gave it to him. More than was needed.  And stood with the man and his wife at the burial so that they didn’t have to endure it alone.

Like the spark that set off the violence, there was a spark that triggered compassion.

I doubt he was aware of either.

Whatever the case, to most of those in that section near the river where the poor lived, that section where the bad-ass bars and the honkey-tonks and the cat-houses huddled, to most of the people in that part of town where John Fallis had his grocery, and to many others all over town that were poor and powerless, he was revered. He stood up for them.

To the proper folk of the city, though, he was Lucifer unleashed. He was a lawless, thuggish, un-intimidated insult to decency and the Powers-That-Be. They wanted him gone.

John Fallis was ten when he began to carry a knife.

The older boys, the bigger boys, picked on him. He fought back. They thought it was funny. Until he got the knife.

When he became a man, no one thought it would be funny to pick on John Fallis. He brooked no insult, would not be cheated, would not be pushed around. He bent a knee to no man.

He was the King of Craw and Lucas Deane was his acolyte.

I came to know Mister Fallis through Lucas. That’s how I thought of him—as Mister Fallis.

He was strikingly handsome. He had a charm that was almost magnetic. When he chose to use it, which was not always, he won friends easily and women became willing prey. Being around him was like being swept up in a vortex of energy where something exciting, something dangerous, something unexpected could happen, would probably happen, at any second. I fell gladly into his orbit. I was only a boy then. We were in the seventh grade, Lucas Deane and I, when we met. I was transferring in from a distant school. Lucas was already there. That year was nineteen-twenty. The Great War was over. The country was opening the door to the Roaring Twenties.  The Big Shoot-Out was a year in the future.

The Big Shoot-Out. The day John Fallis took on the entire city police force. You’ve heard of it. Everyone’s heard of it. Even the New York Times was appalled. But John Fallis was special to Lucas Deane long before that. Lucas and his mother would have starved but for John Fallis.

Lucas’s mother was ill and couldn’t work. They were penniless.  No money for food, no money for rent. Lucas was only seven at the time.  John Fallis heard of it. He found Lucas and gave him a job … things he could do, sweep up at the grocery after school, stock the shelves … and paid him enough that they could get by.

Later, Mr. Fallis kept Lucas on. He liked the boy. Lucas’s gratitude was endless, his admiration boundless. I could understand that. I came to admire John Fallis, too. But not to the point of blind devotion.

Lord, save us from our heroes.

Writing is like exercise – you need to keep in shape


Writer and Internet marketer Aaron Harris notes five good reasons why you should write every day especially if you have a blog or website. His five reasons to keep in shape as a writer are:

  1. You are someone’s idol, hope, and inspiration
  2. Your works could be a part of someone’s daily routine
  3. No matter how bad you write, there will always be someone who loves your work
  4. Writing helps you loosen up, relieve stress
  5. Writing is simply one of the best ways to express yourself

Read the rest of Aaron’s article published on the Digital Donut site.

 

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